Holly Baxter’s San Francisco Art Week Guide
Welcome to APAA’s series celebrating the intersection of travel and art around the world. This collection spotlights insider perspectives from our global membership, as we invite members to share personal guides to their cities—highlighting favorite restaurants, bars, things to do, and, most importantly, local art.
Just in time for San Francisco Art Week, APAA advisor Holly Baxter shares her insider San Francisco City Guide—highlighting the essential fairs, exhibitions, talks, special events, and dining destinations shaping the 2026 edition—designed for collectors who value context as much as discovery.
San Francisco Art Week has evolved into one of the most intellectually rewarding art weeks in the United States. Rather than scale or spectacle, it emphasizes curatorial rigor, institutional depth, and a distinctly West Coast approach to material, process, and ideas. Anchored by FOG Design+Art at Fort Mason and supported by a citywide constellation of museum exhibitions, gallery programs, performances, and conversations, SF Art Week rewards thoughtful pacing and sustained looking.
FOG Design+Art Fair
(Fort Mason Center for Arts & Culture | January 21–25, 2026)
The cornerstone of SF Art Week, FOG Design+Art enters its 12th edition as one of the most curatorially disciplined fairs in the U.S. Benefiting SFMOMA, the fair brings together more than 60 leading art and design galleries, with a consistent emphasis on presentation quality, material intelligence, and cross-disciplinary practices spanning art, design, and architecture.
Fair Structure
FOG Design+Art (Pier 3): Established international galleries and leading modern and contemporary design dealers
FOG FOCUS (Pier 2): A platform for emerging galleries and younger artists, expanded this year to 16 exhibitors—the largest FOCUS section to date
The 2026 edition includes 16 first-time participants, strong international representation, and a notably deep roster of Bay Area galleries—reinforcing FOG’s role as both a global fair and a regional anchor.
Exhibitor Caliber
FOG’s reputation rests on curatorial restraint and consistently serious presentations. The 2026 fair includes major international galleries such as Marian Goodman Gallery, Galerie Frank Elbaz, Lehmann Maupin, Gladstone Gallery, and David Kordansky Gallery, alongside respected regional programs including Anthony Meier, Fraenkel Gallery, Hosfelt Gallery, Berggruen Gallery, and Romer Young Gallery.
The result is a fair that favors engagement over volume—rewarding collectors who return to booths, ask questions, and spend time with work.
FOG Talks (Selected Highlights)
Included with fair admission, the FOG Talks program is among the strongest public-facing elements of the week, addressing intersections of art, design, architecture, and technology.
Notable sessions include:
Anne Fougeron and Tom Kundig in conversation (January 22)
“Long-term Relationships” with Jeffrey Fraenkel, Xavier Hufkens, and Sterling Ruby (January 22)
“When Design Leads” with speakers from Zoox and OpenAI (January 23)
“AI, Art & the Future of Creativity” with Trevor Paglen and CCA President David Howse (January 25)
What Seasoned Collectors Focus on at FOG
Museum-caliber solo and tightly edited booths
Material- and process-driven practices
Work at the intersection of art, architecture, and design
Early signals in FOG FOCUS
Returning for multiple passes rather than rushing the fair
SF Art Week Special Events
SF Art Week’s official programming provides rhythm and cohesion across the city.
Highlights include:
SF Art Week x ICA SF Kickoff Party at the Transamerica Pyramid Center (January 17), celebrating new ICA SF site-specific commissions
Art.Fair.Mont at the Fairmont San Francisco (January 18–20), a boutique hotel fair emphasizing intimacy and presentation
Saint Joseph’s Arts Society: Club Curiosity (January 22), SF Art Week’s defining late-night gathering
Creativity Explored x Open Invitational VIP Preview (January 22), spotlighting artists with disabilities
Art Basel–sponsored FOG Afterparty at AMA (January 21), hosted by Noah Horowitz and Kelly Huang
Gallery Exhibitions
SF Art Week is distinguished by the depth and seriousness of its gallery programming. Many of the city’s leading galleries mount museum-quality solo and group exhibitions timed to coincide with FOG Design+Art, making focused gallery visits an essential part of the week.
Rebecca Manson: Time, You Must Be Laughing
Trevor Paglen: The Horizon Waved, And Nothing Was Certain: 2006–2026
Two concurrent solo exhibitions anchor Jessica Silverman’s SF Art Week program. Manson’s sculptural and painterly works consider time, fragility, and ecological transformation, while Paglen’s sweeping survey traces two decades of image-making that interrogates surveillance, power, and the limits of visibility.
Trevor Paglen, Untitled (Reaper Drones), 2009/2025. Courtesy of the artist, Pace, and Jessica Silverman.
Christian Marclay
Fraenkel Gallery presents new work by Christian Marclay, continuing its longstanding engagement with artists working across sound, image, and material culture. Marclay’s monoprints transform musical ephemera into visual composition, collapsing distinctions between seeing and listening.
Christian Marclay, Sleeves and Covers (Sixteen 7”/No 22), 2025. Unique monoprint on Somerset paper. © Christian Marclay, courtesy Fraenkel Gallery, San Francisco.
Barbara Stauffacher Solomon: Garden = Grid = City
En Este Momento (with AGO Projects, Mexico City)
Stauffacher Solomon’s solo exhibition revisits her lifelong investigation of the “green rectangle”—where nature, architecture, and urban planning converge—offering a timely reflection on Bay Area modernism and landscape. A second gallery space hosts En Este Momento, a cross-cultural group exhibition spotlighting contemporary artists and designers from Mexico City.
Barbara Stauffacher Solomon, An Urban / Agrarian Landscape, 1987; Untitled (Green Arrow Breaking Ground), c. 1980s. Courtesy of the Barbara Stauffacher Solomon Estate, Anthony Meier, Mill Valley.
Marie Wilson
A focused presentation of works by Marie Wilson foregrounds her rigorous engagement with form, line, and material restraint, underscoring her quiet but influential contribution to postwar abstraction.
Marie Wilson. Photo of Marie Wilson by Andreas Embirikos, circa early 1960s.
Rebel Forms
Curated by Erik Barrios-Recendez, Rebel Forms brings together artists from across the Latine diaspora who use abstraction to negotiate cultural memory and identity, foregrounding material hybridity and formal code-switching.
Kevin Umaña, Night Driving With Halo Around Lights and Increased Glare, 2025. Acrylic, oil, vinyl paint, flock, sand, oil pastel, ink, gouache, and ceramics on canvas. 20" x 16" x 2”.
Christy Matson: Even So
Christy Matson’s textile-based works merge painting, weaving, and material tension. The gallery’s concurrent presentation at FOG FOCUS (Booth 506) features a solo presentation of new work by Claire Oswalt.
Christy Matson, Strange Garden, 2025. Acrylic on paper, linen, cotton and wool. 33 1/4 x 41 3/4 x 1 1/4 inches, 84.5 x 106 x 3.2 cm.
Auudi Dorsey: What’s Left, Never Left
Auudi Dorsey’s exhibition examines memory, inheritance, and Black cultural continuity through layered abstraction and material experimentation, balancing immediacy with historical depth.
Auudi Dorsey, A Day Like 1964, 2025. Acrylic on canvas. 60 x 88 in / 152.4 x 223.5 cm. Image courtesy of Jonathan Carver Moore.
Emma cc Cook: Bucolic Cob: Bellevue
Emma cc Cook’s exhibition merges craft, narrative, and sculptural form, reflecting House of Seiko’s commitment to emerging practices that blur boundaries between art, design, and storytelling.
Installation image courtesy of House of Seiko.
Jerry Kearns: Zero-Sum
Kristine Mays: State of the Union
Modernism Gallery pairs Kearns’ politically incisive paintings with Kristine Mays’ sculptural works in painted steel wire, examining language, power, and the body within contemporary political discourse.
Jerry Kearns, The Dealmaker, 2022. Acrylic on canvas. 48 x 48 inches. JK 154. Image courtesy of Modernism Gallery.
Birgit Jensen: A Thousand Echoes in My Mind
Driss Ouadahi: Reminiscence
Hosfelt Gallery presents two solo exhibitions addressing perception, architecture, and collective memory. Jensen’s atmospheric abstractions evoke interior landscapes, while Ouadahi’s geometric paintings draw from modernist architecture and social space.
Birgit Jensen, PRELUDE II, 2025. Acrylic on linen. 66 7/8 x 55 1/8 in.
Heather Day: Blue Distance
In her second solo exhibition with the gallery, Heather Day presents new abstract paintings shaped by memory, landscape, and sensation. Using a cut-and-sew process, Day constructs layered compositions that evoke movement, solitude, and shifting light.
Heather Day, Blue Distance, 2026. Mixed media on sewn canvas. 56 x 72 inches. 142.2 x 182.9 cm. Image courtesy of Berggruen Gallery.
Museum Highlights
Dining During SF Art Week
Near Fort Mason:
Greens – A calm, reliable lunch option steps from the fair
Radhaus – Casual and efficient; ideal between appointments
Additional Dinner Recommendations in the City:
Atelier Crenn, Californios, Mister Jiu’s, Angler, AMA, Octavia, Cotogna, Bourbon Steak, Kiln, Ernest, Arquet
Suggested Itineraries
Three-Day Itinerary
Day 1 – Wednesday, January 21
Morning: de Young Museum
Lunch: Greens
Afternoon: FOG Design+Art Preview
Evening: FOG Preview Gala and AMA Afterparty
Day 2 – Thursday, January 22
Morning: SFMOMA
Lunch: Radhaus
Afternoon: FOG Talks + FOCUS
Evening: Minnesota Street Project openings and Saint Joseph’s Arts Society
Day 3 – Friday, January 23
Morning: Berggruen Gallery / Fraenkel Gallery
Lunch: Mister Jiu’s
Afternoon: Return to FOG Design+Art
Evening: Dinner at Angler or Cotogna
Four-Day Itinerary
Day 1 – Tuesday, January 20
Morning: Anderson Collection coffee hour
Afternoon: Gallery visits
Evening: Wattis Institute Opening
Day 2 – Wednesday, January 21
Morning: Museum visits
Afternoon: FOG Design+Art Preview
Evening: FOG Preview Gala and AMA Afterparty
Day 3 – Thursday, January 22
Morning - Afternoon: FOG Design+Art
Evening: Saint Joseph’s Arts Society
Day 4 – Friday, January 23
Morning: MoAD or Asian Art Museum
Afternoon: Final FOG Design+Art visit
Evening: Dinner at Californios or Atelier Crenn