Holly Baxter’s San Francisco Art Week Guide

 

Welcome to APAA’s series celebrating the intersection of travel and art around the world. This collection spotlights insider perspectives from our global membership, as we invite members to share personal guides to their cities—highlighting favorite restaurants, bars, things to do, and, most importantly, local art.

 

Just in time for San Francisco Art Week, APAA advisor Holly Baxter shares her insider San Francisco City Guide—highlighting the essential fairs, exhibitions, talks, special events, and dining destinations shaping the 2026 edition—designed for collectors who value context as much as discovery.

San Francisco Art Week has evolved into one of the most intellectually rewarding art weeks in the United States. Rather than scale or spectacle, it emphasizes curatorial rigor, institutional depth, and a distinctly West Coast approach to material, process, and ideas. Anchored by FOG Design+Art at Fort Mason and supported by a citywide constellation of museum exhibitions, gallery programs, performances, and conversations, SF Art Week rewards thoughtful pacing and sustained looking.


FOG Design+Art Fair

(Fort Mason Center for Arts & Culture | January 21–25, 2026)

The cornerstone of SF Art Week, FOG Design+Art enters its 12th edition as one of the most curatorially disciplined fairs in the U.S. Benefiting SFMOMA, the fair brings together more than 60 leading art and design galleries, with a consistent emphasis on presentation quality, material intelligence, and cross-disciplinary practices spanning art, design, and architecture.

Fair Structure

  • FOG Design+Art (Pier 3): Established international galleries and leading modern and contemporary design dealers

  • FOG FOCUS (Pier 2): A platform for emerging galleries and younger artists, expanded this year to 16 exhibitors—the largest FOCUS section to date

The 2026 edition includes 16 first-time participants, strong international representation, and a notably deep roster of Bay Area galleries—reinforcing FOG’s role as both a global fair and a regional anchor.

Exhibitor Caliber

FOG’s reputation rests on curatorial restraint and consistently serious presentations. The 2026 fair includes major international galleries such as Marian Goodman GalleryGalerie Frank ElbazLehmann MaupinGladstone Gallery, and David Kordansky Gallery, alongside respected regional programs including Anthony MeierFraenkel GalleryHosfelt GalleryBerggruen Gallery, and Romer Young Gallery.

The result is a fair that favors engagement over volume—rewarding collectors who return to booths, ask questions, and spend time with work.

FOG Talks (Selected Highlights)

Included with fair admission, the FOG Talks program is among the strongest public-facing elements of the week, addressing intersections of art, design, architecture, and technology.

Notable sessions include:

  • Anne Fougeron and Tom Kundig in conversation (January 22)

  • “Long-term Relationships” with Jeffrey Fraenkel, Xavier Hufkens, and Sterling Ruby (January 22)

  • “When Design Leads” with speakers from Zoox and OpenAI (January 23)

  • “AI, Art & the Future of Creativity” with Trevor Paglen and CCA President David Howse (January 25)

What Seasoned Collectors Focus on at FOG

  • Museum-caliber solo and tightly edited booths

  • Material- and process-driven practices

  • Work at the intersection of art, architecture, and design

  • Early signals in FOG FOCUS

  • Returning for multiple passes rather than rushing the fair


SF Art Week Special Events

SF Art Week’s official programming provides rhythm and cohesion across the city.

Highlights include:


Gallery Exhibitions

SF Art Week is distinguished by the depth and seriousness of its gallery programming. Many of the city’s leading galleries mount museum-quality solo and group exhibitions timed to coincide with FOG Design+Art, making focused gallery visits an essential part of the week.

Rebecca Manson: Time, You Must Be Laughing
Trevor Paglen: The Horizon Waved, And Nothing Was Certain: 2006–2026

Two concurrent solo exhibitions anchor Jessica Silverman’s SF Art Week program. Manson’s sculptural and painterly works consider time, fragility, and ecological transformation, while Paglen’s sweeping survey traces two decades of image-making that interrogates surveillance, power, and the limits of visibility.

Trevor Paglen, Untitled (Reaper Drones), 2009/2025. Courtesy of the artist, Pace, and Jessica Silverman.

Christian Marclay

Fraenkel Gallery presents new work by Christian Marclay, continuing its longstanding engagement with artists working across sound, image, and material culture. Marclay’s monoprints transform musical ephemera into visual composition, collapsing distinctions between seeing and listening.

Christian Marclay, Sleeves and Covers (Sixteen 7”/No 22), 2025. Unique monoprint on Somerset paper. © Christian Marclay, courtesy Fraenkel Gallery, San Francisco.

Barbara Stauffacher Solomon: Garden = Grid = City
En Este Momento (with AGO Projects, Mexico City)

Stauffacher Solomon’s solo exhibition revisits her lifelong investigation of the “green rectangle”—where nature, architecture, and urban planning converge—offering a timely reflection on Bay Area modernism and landscape. A second gallery space hosts En Este Momento, a cross-cultural group exhibition spotlighting contemporary artists and designers from Mexico City.

Barbara Stauffacher Solomon, An Urban / Agrarian Landscape, 1987; Untitled (Green Arrow Breaking Ground), c. 1980s. Courtesy of the Barbara Stauffacher Solomon Estate, Anthony Meier, Mill Valley.

Marie Wilson

A focused presentation of works by Marie Wilson foregrounds her rigorous engagement with form, line, and material restraint, underscoring her quiet but influential contribution to postwar abstraction.

Marie Wilson. Photo of Marie Wilson by Andreas Embirikos, circa early 1960s.

Rebel Forms

Curated by Erik Barrios-Recendez, Rebel Forms brings together artists from across the Latine diaspora who use abstraction to negotiate cultural memory and identity, foregrounding material hybridity and formal code-switching.

Kevin Umaña, Night Driving With Halo Around Lights and Increased Glare, 2025. Acrylic, oil, vinyl paint, flock, sand, oil pastel, ink, gouache, and ceramics on canvas. 20" x 16" x 2”.

Christy Matson: Even So

Christy Matson’s textile-based works merge painting, weaving, and material tension. The gallery’s concurrent presentation at FOG FOCUS (Booth 506) features a solo presentation of new work by Claire Oswalt.

Christy Matson, Strange Garden, 2025. Acrylic on paper, linen, cotton and wool. 33 1/4 x 41 3/4 x 1 1/4 inches, 84.5 x 106 x 3.2 cm.

Auudi Dorsey: What’s Left, Never Left

Auudi Dorsey’s exhibition examines memory, inheritance, and Black cultural continuity through layered abstraction and material experimentation, balancing immediacy with historical depth.

Auudi Dorsey, A Day Like 1964, 2025. Acrylic on canvas. 60 x 88 in / 152.4 x 223.5 cm. Image courtesy of Jonathan Carver Moore.

Emma cc Cook: Bucolic Cob: Bellevue

Emma cc Cook’s exhibition merges craft, narrative, and sculptural form, reflecting House of Seiko’s commitment to emerging practices that blur boundaries between art, design, and storytelling.

Installation image courtesy of House of Seiko.

Jerry Kearns: Zero-Sum
Kristine Mays: State of the Union

Modernism Gallery pairs Kearns’ politically incisive paintings with Kristine Mays’ sculptural works in painted steel wire, examining language, power, and the body within contemporary political discourse.

Jerry Kearns, The Dealmaker, 2022. Acrylic on canvas. 48 x 48 inches. JK 154. Image courtesy of Modernism Gallery.

Birgit Jensen: A Thousand Echoes in My Mind
Driss Ouadahi: Reminiscence

Hosfelt Gallery presents two solo exhibitions addressing perception, architecture, and collective memory. Jensen’s atmospheric abstractions evoke interior landscapes, while Ouadahi’s geometric paintings draw from modernist architecture and social space.

Birgit Jensen, PRELUDE II, 2025. Acrylic on linen. 66 7/8 x 55 1/8 in.

Heather Day: Blue Distance

In her second solo exhibition with the gallery, Heather Day presents new abstract paintings shaped by memory, landscape, and sensation. Using a cut-and-sew process, Day constructs layered compositions that evoke movement, solitude, and shifting light.

Heather Day, Blue Distance, 2026. Mixed media on sewn canvas. 56 x 72 inches. 142.2 x 182.9 cm. Image courtesy of Berggruen Gallery.


Museum Highlights


Dining During SF Art Week

Near Fort Mason:

  • Greens – A calm, reliable lunch option steps from the fair

  • Radhaus – Casual and efficient; ideal between appointments

Additional Dinner Recommendations in the City:

Atelier CrennCaliforniosMister Jiu’sAnglerAMAOctaviaCotognaBourbon SteakKilnErnestArquet


Suggested Itineraries

Three-Day Itinerary

Day 1 – Wednesday, January 21
Morning: de Young Museum
Lunch: Greens
Afternoon: FOG Design+Art Preview
Evening: FOG Preview Gala and AMA Afterparty

Day 2 – Thursday, January 22
Morning: SFMOMA
Lunch: Radhaus
Afternoon: FOG Talks + FOCUS
Evening: Minnesota Street Project openings and Saint Joseph’s Arts Society

Day 3 – Friday, January 23
Morning: Berggruen Gallery / Fraenkel Gallery
Lunch: Mister Jiu’s
Afternoon: Return to FOG Design+Art
Evening: Dinner at Angler or Cotogna

Four-Day Itinerary

Day 1 – Tuesday, January 20
Morning: Anderson Collection coffee hour
Afternoon: Gallery visits
Evening: Wattis Institute Opening

Day 2 – Wednesday, January 21
Morning: Museum visits
Afternoon: FOG Design+Art Preview
Evening: FOG Preview Gala and AMA Afterparty

Day 3 – Thursday, January 22
Morning - Afternoon: FOG Design+Art
Evening: Saint Joseph’s Arts Society

Day 4 – Friday, January 23
Morning: MoAD or Asian Art Museum
Afternoon: Final FOG Design+Art visit
Evening: Dinner at Californios or Atelier Crenn

 
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APAA 2025: Year in Review